Even the dumbest lyrics – such as the entirety of “La La La” – are adequate enough due to compensation from the catchy grooves. While the album is thematically monotone and Smith’s lyrics are sometimes overly reliant on weak metaphors (“you’re my life support”), Smith makes up for it with a flamboyant showmanship. “You say I’m crazy ’cause you don’t think I know what you’ve done,” he says, calling out a cheating lover’s lies. The jazzy strut of “I’m Not the Only One” finds Smith at his most confrontational. “Deep down I know this never works, but you can lay with me so it doesn’t hurt,” Smith sings. “Stay With Me” strikes a chord with its portrayal of the vulnerability felt by a lover’s departure.

In the Lonely Hour explores the darker sides of love, with Smith lamenting unrequited love (“Leave Your Lover”) while yearning to find his soul mate (“Make It To Me”). The sentimental ballad “Good Thing” features an appropriately overbearing string section straight out of a film from Hollywood’s Golden Age. While most tracks fit comfortably into the slow R&B mold, Smith also experiments with pop rock in the palm-muted guitar shuffle of “Like I Can.” With “Restart,” Smith channels 80s dance pop in the best way. Packed with smooth R&B crooning and energetic dancehall grooves, the album has enough variety to become more than simply a vocal showcase, though considering Smith’s vocal prowess, that would still be enough. With his debut album, the aptly titled In the Lonely Hour, London singer Sam Smith spends just under an hour bemoaning the loneliness, sorrow and self-doubt that love leaves in its wake.

In the lonely hour album release date